DJ'n is basically fancy juke boxing over 10 years of dj'n the only place I've ever had to record my playlist was on the radio (they pay a license fee) never in a club environment, nor have I seen any club owner pay this. generally this fee money never finds its way to underground artists. where do I...

if track is getting heavy radio and internet radio airplay those stations should be paying their respective agencies fees for broadcasting, net labels usually have a standard fee of 2,500-3000 fee for the whole year. those fees are divided up at each agency (ascap, socan, koda) and then passed along...

I've had one for a couple years it's definitely a fun FM synth, the FS1R is really nice FM, but more expensive and less knobs. some things to be aware of it does not send sequencer data out so don't expect it to drive other hardware the drums suck they are really thin samples on the plus side, the s...

And you're right, most dnb has become trash because of "rules". couldn't agree more, 99% of the new dnb releases are soo cheesy, I just can't get into the 'sound of circus' music or whatever it is... I was listening to some Boards of Canada earlier, their albums really age well, there are...

I just picked up a TR-707 off ebay for under $150 great lil machine, not quite the kick of a 808/909 but still really fun, I'm going to route the Kick channel out to one of my older drum machines to have some more kick sounds the old one has audio triggers on it :wink: Jomox xbase 09 or 999 are good...

about Polar I was gutted when I heard about him taking a break his albums Still Moving, and Out of the Blue are top notch! here is his discography http://www.discogs.com/artist/Polar he did make a Sample set, but its a bit pricey at $99 http://www.bhphotovideo.com/bnh/controller/home?A=details&Q...

I've also had my DJM600 for a couple years, it's lasted well, never had any problems with it. Even when it was confiscated by the authorities for noise violation at my rooftop party... I have noticed channel bleed at extremely loud levels, usually only when I'm overdriving a synth signal through it ...

I've found more staccato / short sub tones to work well

side chaining is also a great help for that professional touch.
[ducking the sub, so your kick stays pronounced]

make sure your bass and sub are mono
and not sitting in the same freq
they should be complimentary