For me its very good!! I can have all vermona's outs and tetra's 4voice out connected!hydrogen wrote:is the zero 8 good? what do you think about it?
16ins is good! apart from that its also good for custom setups/mappings (ex. traktor->to->live with mixed live/traktor mappings, sends-returns).. it have more channels than you need and thats good ... less free time = more work ITB..I recently got my 106 fixed and it's the first analogue synth I've had since 97 when I sold my Prophet 600 and Sh101. VST's go a good job, but the real thing is the real thing and now in hindsight all, I don't care about the footprint and all that, indeed, the old is even more desireable by me...Barfunkel wrote:
All these "perfect emulation" VSTi's of analog instruments have done one thing, made the originals even more expensive and desirable. The prices of working units are not going down, ever. Even if virtual instruments some day do catch up,there's so much collector value in the synths that the prices won't go down anyway. The golden age of cheap vintage is gone.
word. was thinking about getting it for live work... is it pretty rugged? or not like an A&H mixer?Daemonix wrote:For me its very good!! I can have all vermona's outs and tetra's 4voice out connected!hydrogen wrote:is the zero 8 good? what do you think about it?
but.. I dont use it much more lately
Live sets is what its build for, if you ask me! you can do wonders if you know.hydrogen wrote:word. was thinking about getting it for live work... is it pretty rugged? or not like an A&H mixer?Daemonix wrote:For me its very good!! I can have all vermona's outs and tetra's 4voice out connected!hydrogen wrote:is the zero 8 good? what do you think about it?
but.. I dont use it much more lately
