Drums in deep house

Daniel_Schneider · Post by **Daniel_Schneider** » Mon Jan 26, 2009 8:18 pm

PLEASE DELETE MY POST

gowans · Post by **gowans** » Thu Jan 29, 2009 9:16 am

hey BLM interesting thread, i think my thoughts on producing are very similar to yours! btw really digging your tunes on myspace mate!

dubgil · Post by **dubgil** » Thu Jan 29, 2009 9:25 pm

MINIMALTECHNOHOUSE wrote:And before anyone beasts me, would you be so kind as to synthisise a nice tambourine sound and post it with your reply....

add conga, timbale, etc (must be thinking Latin House I guess) oh wait we have the apache breakbeat for that bongos

AK · Post by AK » Wed Feb 04, 2009 1:20 am

s.k. wrote:
AK wrote:I can't grasp how a chord can be made from a single oscillator.
easy. take a saw wave. hi-pass at the third harmonic. low-pass on the fifth harmonic. you have a major triad. downside is the notes will not be equally loud so you gotta either eq or boost the lowpass resonance more.

about FM - yes it is easier, and too - an FM synth can do stuff that a subtractive can only dream of.

I'll wait for you to explain that one a little more as I can't grasp it.

s.k. · Post by **s.k.** » Wed Feb 04, 2009 2:08 pm

ur joking right?

about the single oscilltor thing - well its not exactly a chord in means that it does not sound the same, but the tonal relations are the same.

a saw - 50hz, 100hz, 150hz, 200hz, 250hz...

150hz, 200hz, 250hz - a chord. the ratio is all that matters - 3:1 + 4:1 + 5:1 = a triad. substitute the Hz of a chord in this formula and you will see its true.

mnj · Post by **mnj** » Thu Mar 26, 2009 11:09 pm

Smear wrote:
::BLM:: wrote: Obviously that's a pretty hard line I'm taking but i've been involved with the breakcore scene in the past, and hearing a Richard Devine track in the same set as someone who's put an Amen break through dblue Glitch, and on top of that put a Madonna song through distortion(and managed to get it on vinyl!), is pretty offensive. But as you say there are subtle methods, but there's also frauds among us

sounds like a pretty gay scene then.

MINIMALTECHNOHOUSE · Post by **MINIMALTECHNOHOUSE** » Thu Mar 26, 2009 11:12 pm

mnj wrote:
Smear wrote:
::BLM:: wrote: Obviously that's a pretty hard line I'm taking but i've been involved with the breakcore scene in the past, and hearing a Richard Devine track in the same set as someone who's put an Amen break through dblue Glitch, and on top of that put a Madonna song through distortion(and managed to get it on vinyl!), is pretty offensive. But as you say there are subtle methods, but there's also frauds among us
sounds like a pretty gay scene then.

lol

::BLM:: · Post by **::BLM::** » Thu Mar 26, 2009 11:48 pm

WTF??? I never wrote that about Breakcore....