i don't understand what people mean that the original shouldn't be touched. I mean sure I understand that you can have a special emotional bond with a track, I've got it with heaps, but how can that justify that noone is allowed to 'go near it'? If they have the authors permission then go for it, si...

ive definitely heard worse remixes, but this from troy pierce? I mean wtf??

mr. smoke for president. period.

actually in battery you can tweak it a bit with the pitch envelope but its sort of like performing surgery with a butter knife. Actually I find hipassing kick samples I already have and then adding 'new depth' to them is a quite funky thing

thom, thanks for that kit - it will keep me occupied for hours! not sure if thats a good thing though

oh he is really good but what bothers me is that most of his stuff follows a similar concept: awesome synth, buildup, morphing, fsshhhh, breakdown etc. Just check the Daytona Beach EP and see what I mean, but for the tracks themselves on the other hand.... yummm

man there's a lot of ways of actually getting the files across, I'd say the most important part of a collab is actually talking about the track and sharing views. By no means you can talk forth a track, but if you send a rendering of what you've got and let your mate listen to it with fresh ears and...

is it just me or is the dancer seriously not dancing to the music?