so you have sync, and you can determine with the key if tracks mix very well, why not write a program that can record transitions, then if a large enough database of transitions is established, just randomly pick one a mix two tracks together.
i guess this will be better then most DJs who use sync and key matching
key matches
Re: key matches
I don't DJ but what was wrong with DJ'ing before? Why has this suddenly become an issue?
From music point of view, I have ( I think ) perfect pitch, I can hear a chord and know what it is right there and then, hear a scale and recognise the intervals but if I was a DJ, that wouldn't help me, neither would inaccurate software.
Whatever happened to intros and outros anyway? Surely a lack of tonality on a track in the intro/outro phase is still common?
From music point of view, I have ( I think ) perfect pitch, I can hear a chord and know what it is right there and then, hear a scale and recognise the intervals but if I was a DJ, that wouldn't help me, neither would inaccurate software.
Whatever happened to intros and outros anyway? Surely a lack of tonality on a track in the intro/outro phase is still common?
Re: key matches
intros and outros are fine, but every mix ?AK wrote:
Whatever happened to intros and outros anyway? Surely a lack of tonality on a track in the intro/outro phase is still common?
the thing that first tripped me out when listening to DJs mixing electronic music was the mixing of riffs/melodies/soundscapes, thats where the true DJ skills come in, DJs who can find those magical mixes out of a box of tunes
anyone can mix hats and claps
Re: key matches
I wouldn't know mate, but that sounds awesome if 'one' can do it...steevio wrote:intros and outros are fine, but every mix ?AK wrote:
Whatever happened to intros and outros anyway? Surely a lack of tonality on a track in the intro/outro phase is still common?
the thing that first tripped me out when listening to DJs mixing electronic music was the mixing of riffs/melodies/soundscapes, thats where the true DJ skills come in, DJs who can find those magical mixes out of a box of tunes
anyone can mix hats and claps
Re: key matches
well you just have to find the right tracks. some work better then others.AK wrote:I wouldn't know mate, but that sounds awesome if 'one' can do it...steevio wrote:intros and outros are fine, but every mix ?AK wrote:
Whatever happened to intros and outros anyway? Surely a lack of tonality on a track in the intro/outro phase is still common?
the thing that first tripped me out when listening to DJs mixing electronic music was the mixing of riffs/melodies/soundscapes, thats where the true DJ skills come in, DJs who can find those magical mixes out of a box of tunes
anyone can mix hats and claps
what i really hate is when people clash vocals. such a lazy mistake.
Re: key matches
certainly not me, i'm not a natural DJ.AK wrote:
I wouldn't know mate, but that sounds awesome if 'one' can do it...
Re: key matches
That's piss easy if you key mix::BLM:: wrote: well you just have to find the right tracks. some work better then others.
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Re: key matches
Border Community put BPM and keys on their vinyl.
I always mixed by ear and when I listened to some of my old mixes I was pleased by how they went together.
By the time you speed something up the key is surely changed anyway.
I always mixed by ear and when I listened to some of my old mixes I was pleased by how they went together.
By the time you speed something up the key is surely changed anyway.