Analogue synth with sequencer - suggestions?

- ask away
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mo's taverne
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Post by mo's taverne »

my choice:

Image

* Monstrous four oscillator voice architecture.
* True stereo signal path with separate Curtis analog low-pass filters in each channel.
* Dedicated onboard effects (feedback, delay, distortion, high-pass filter, etc.).
* 16 x 4 step sequencer really brings the Evolver to life with evolving “pseudo-polyphonic” sounds – you won’t believe it's mono!
* Stereo audio input for audio processing of external stereo or mono signals, enabling the synth to act as a unique stereo effects processor.
* Everything (sequencer, LFOs, and delay) syncs perfectly to MIDI.
* Easy-to-navigate matrix-style interface for quick editing and real-time control of 8 parameters simultaneously.
* Multiple Evolvers can be daisy-chained for more polyphony.
...:.::.:::.:.....::....:...::...::.::::....::...:....

http://biloba.twoday.net/
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eryx666
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Post by eryx666 »

+1 for evolver, it's amazing gear, really fat sometimes
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Stomper
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Post by Stomper »

http://www.vintagesynth.com/misc/teebee.shtml
http://www.vintagesynth.com/misc/microcon.shtml
http://www.vintagesynth.com/novation/sbs2.shtml

didnt use any. but all are tb-303 emulations.
i saw some bass station videos on youtube. sound pretty good.
colinstark
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Post by colinstark »

MFB Synth Lite 2 and Synth 2.
Martian Telecom
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Post by Martian Telecom »

sh101/pro-one
Atheory
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Post by Atheory »

seamus wrote: though (I'm not exactly Barry Manilow on the keys!)
thats not necessarily a bad thing
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coldfuture
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Post by coldfuture »

Future retro revolution.

Anything with a FR mobius attached to it.

DSI mopho and evolver both have sequencers.

These are all fun pieces in the studio.
"Why does this process have to be SO complex" -- Ritardo Montalban
livecollective
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Post by livecollective »

Genoqs octopus (or the like) > vermona drm1 mkIII > mixer < Moog Voyager through a moog CP-251
moog 104z analog delay for mixer sends

for them lush sounds




:)
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