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motf_118
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Post by motf_118 »

I like the xone 92 and the djm800.

Why does the top 10% of the up fader on the xone affect about half the overall volume?
Rookas
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Post by Rookas »

because it is built so and i dont see a problem in that , but maybe someone can tell me if anybody else on xone 62 has got a problem in the crossfader?
if the crossfader is set to middle , when i turn it on the volume goes down by 1-2db it pisses me of so much , because now i cant use 2 filters at once and can only have one side working of crossfader , btw if crossfader is down to left or right everything is alright only the middle .. (the curve for 'smooth' mixing)
its all about the rhythm
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PsyTox
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Post by PsyTox »

set the curve switch (upper left of crossfader) to the symbol with the flat line (=cut) instead of the one that looks like a cross (=dip)?
Rookas
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Post by Rookas »

well one curve is -6db and another is about -1-2db from the actual level , so not... :/ so when you set the curve its alrtight for cue? same volume for the cue and the master when CF in middle?
its all about the rhythm
damagedgoods
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Post by damagedgoods »

In terms of treading the line between usability and features I think my favourite would be the DJM600 (it's certainly the mixer I'm most comfortable using - and I don't even own one), but I do notice that the sound comes out a bit smeared. A&Hs are ok, but I'm not a huge fan to be honest - due largely to the fact that the cue/master pot only goes to 50/50 and not 100% master. What's up with that? I know you can monitor the master by switching off all the cue buttons, but why should it be impossible to have mostly master with a little bit of cue, and to be able to do it all with the one knob?

I dig the Formula Sound stuff a lot, the few times I've played on a FF6000 I thought it felt really nice, was built like a tank and sounded great.

Can't stand DJM800s. They feel like horrible flashy toys to me. Way too much stuff going on.
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Rookas
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Post by Rookas »

you can do that by using aux knobs not a problem with a&h just another way of doing that :)
its all about the rhythm
damagedgoods
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Post by damagedgoods »

Rookas wrote:you can do that by using aux knobs not a problem with a&h just another way of doing that :)
OK, but it's a pain in the arse. You wouldn't say to a scratch DJ about a mixer with no crossfader, "you can do the same thing by using the up faders, it's just another way of doing the same thing". What separates a DJ mixer from a FOH mixer is usability and speed in critical situations. If usability weren't a concern, all the biggest clubs would have 32-channel Midas sound desks in their booths with outboard FX processing fed from channel sends.
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Rookas
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Post by Rookas »

well actually its how it should be done:) with good monitoring systems :) BUT you can do it another way if you REALLy want/need that :)
its all about the rhythm
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