Mixdown Tips

sorgenkind · Post by **sorgenkind** » Sat Aug 25, 2007 3:44 pm

on my side i tend to always write a bassline, mainly a heavy sinus to get that dubby effect i love.
i find interesting your way of doing it with patterns, gotta try this too

very constructive post steevio, again thanks

steevio · Post by **steevio** » Sat Aug 25, 2007 8:22 pm

sorgenkind wrote:on my side i tend to always write a bassline, mainly a heavy sinus to get that dubby effect i love.
i find interesting your way of doing it with patterns, gotta try this too

very constructive post steevio, again thanks

thanks mate,
i write basslines to, i constantly vary what i do, sometimes its basslines other times its more tribal for me. i prefer to avoid basslines, but when i use them they hook me in, and i love them. its got to be a great bassline for me to want to use it. i think i exist in a space between tribal rhythms and dub.
easy
s

sorgenkind · Post by **sorgenkind** » Sun Aug 26, 2007 1:36 pm

you may want to read this book, in case you haven't already done:

Michael Veal
DUB, Soundscapes and Shattered Songs in Jamaican Reggae
Wesleyan University Press
ISBN: 0-8195-6572-5

perfect for studio nerdy, it's a book which analizes dub from the technical point of wiev, with chapters titled like: "Spatial Echo Effects and Use of Reverb and Delay Devices", or Backward Sound and Tape Speed Manipulation" and so on, very inspiring book.