Steevio, your post's on this board is probably the best source for knowledge and insight in production. Around here you are authority, every word you spell out on your keyboard means something and we're all grateful for that.
But seriously, i imagined you with a Moby-type look. Like Thomas said, how wrong can you be?
Great clip anyway, heavy machines. Would love to play around with a modular system
FAO Steevio
haha you guys,
techno producer = bald dude with UR t-shirt
thanks for all the sweet comments bros.
the recording of my live set didnt really come out very well, mostly because all my oscillators were out of tune by the time i came on, they were spot on at the end of the soundcheck, but i was too busy chasing around doing the organiser thing to find time to tune up before i went on, and it was so hot in there.
it made my set very minimal because i didnt dare open the filters up, and so it wasnt what i was planning at all.
i learned my lesson.
i'm going to post a practice version of the set i did before freerotation which is way better on soundcloud in the next week or so.
now i'm off on holiday
techno producer = bald dude with UR t-shirt
thanks for all the sweet comments bros.
the recording of my live set didnt really come out very well, mostly because all my oscillators were out of tune by the time i came on, they were spot on at the end of the soundcheck, but i was too busy chasing around doing the organiser thing to find time to tune up before i went on, and it was so hot in there.
it made my set very minimal because i didnt dare open the filters up, and so it wasnt what i was planning at all.
i learned my lesson.
i'm going to post a practice version of the set i did before freerotation which is way better on soundcloud in the next week or so.
now i'm off on holiday
i'm using the practice set as an example of my live performance on the Freerotation 'Fairtrade' booking agency site which will be going on line in September. i'll drop a link to it then guys.
as an explanation, the site is a booking agency where the artist gets all the money from a booking, rather than 15% being added on top for an agent who does very little in reality other than spam promoters, and provide a cloned contract / rider etc.
we are cutting out the middleman, which benefits promoter and artist alike.
as an explanation, the site is a booking agency where the artist gets all the money from a booking, rather than 15% being added on top for an agent who does very little in reality other than spam promoters, and provide a cloned contract / rider etc.
we are cutting out the middleman, which benefits promoter and artist alike.
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- mnml maxi
- Posts: 1150
- Joined: Wed Jun 06, 2007 8:23 pm
steevio wrote:i'm using the practice set as an example of my live performance on the Freerotation 'Fairtrade' booking agency site which will be going on line in September. i'll drop a link to it then guys.
as an explanation, the site is a booking agency where the artist gets all the money from a booking, rather than 15% being added on top for an agent who does very little in reality other than spam promoters, and provide a cloned contract / rider etc.
we are cutting out the middleman, which benefits promoter and artist alike.