So talking/writing in a nice way to other people = asshole?thom wrote:Diplomats are a$$holes that talk nicely.
Lots of those around here.
Now it's off topic.
wow!
Snare/clap trouble
-
patrick bateman
- mnml maxi
- Posts: 5432
- Joined: Mon Feb 07, 2005 10:02 am
- Location: Copenhagen Denmark
- Contact:
-
patrick bateman
- mnml maxi
- Posts: 5432
- Joined: Mon Feb 07, 2005 10:02 am
- Location: Copenhagen Denmark
- Contact:
-
kristofason
- mnml maxi
- Posts: 932
- Joined: Sun Jan 13, 2008 6:18 pm
Ye i do somethin similarto this but i have a 8 bar long sample of a crowd clapping and sidechained a gate on it to open on the snare/clap hit, different clap every time...lovely.thom wrote:My solution for thick, splashy claps was this:
In Battery, I layered several medium-sized audience applause samples with a few clappers being close to the mic. I found the samples on Freesound.
Loaded them, selected all, mapped them to the same key(c1), randomized (with the lfo) the start point, hard panned some, kept some in the middle, compression.
The result is excellent... all hits sound different and natural. And it is all very flexible from a mixing standpoint... you will, with the right tweaks, get to something that naturally stands out without having to sacrifice something else in the mix.
Just remember to select all the cells to tweak the amplitude envelope... and other parameters if you need to... Here you go (samples and patch file):
http://www.filedropper.com/claps
Ideal for disco.
-
miro pajic
- mnml mmbr
- Posts: 326
- Joined: Thu Apr 26, 2007 10:59 pm
- Location: Berlin
-
kristofason
- mnml maxi
- Posts: 932
- Joined: Sun Jan 13, 2008 6:18 pm
all day long looking samples in a package of thousands "Looking for a needle in a haystack"::BLM:: wrote:For me claps and hats are the hardest thing to do. I could spend all day going through clap samples and not find the right one. The clap is prob the last thing I add in a track.
Juan Munera
http://www.myspace.com/juanmunera
http://www.myspace.com/juanmunera