thats just one way of working and it doesnt suit everybody.xxmmxx wrote:As Victor said before, try and do an outline. I work in this way and it does work. even if you just lay out the drum track for 7 minutes, then do a gap in the middle and call it breakdown/buildup. Immediately you will have some sort of structure, a beginning, a middle and an end.
i cant work that way, my music has to be live and organic, if i try to build from a structure it chokes my creativity and everything ends up obvious.
i concentrate on rhythm and how each sound bounces off every other sound, when i've got some simple grooves which all work together, i'll switch off and come back to it a few days later with fresh ears, and only a vague memory of what was going on, then press record and record a big long jam live for up to 20 minutes.
i like to supprise myself.
it keeps it raw and fresh, and somewhere in that 20 minutes the whole thing will synergise. then i go in and chop out the 8 minutes or so that really works, and non of it was planned.
but you just have to find what works for you.
if theres one piece of advice i could give, it would always be - get rid of the snare or clap on the 2 and 4. theres nothing better to free up your creativity. for me that is the most restrictive cliche in dance music, and its what makes you get bored with loops.
get rid of the obvious !
ps dont take me too literally, i dont mean dont use them at all, but ive found that relying on the backbeat makes me lazy at finding new ways to give emphasis in rhythm.