look at this one:credit_agro wrote:4. Whats a patchbay and why would I need one?
http://www.behringer.com/02_products/pr ... 0&lang=eng
cheap and OK.
look at this one:credit_agro wrote:4. Whats a patchbay and why would I need one?
fl0w wrote:look at this one:credit_agro wrote:4. Whats a patchbay and why would I need one?
http://www.behringer.com/02_products/pr ... 0&lang=eng
cheap and OK.
Subjective answers to these questions depend on how you intend working. There are many ways of working but to use two examples -credit_agro wrote: 3. FX unit (what generally do you get with these? Is this
option better than seperate delay, distortion units etc.?
MarcAshken: Why not get hardware FX? Do you do your FX on a PC?)
Again, down to preference. The computer sequencer benefits from the visual aspect but can be let down by timing depending on your setup. Hardware sequencers are generally thought to have better timing and stability but less features. The Akai MPC series would be the most popular h/w sequencers, also Yamaha RS7000 is a nice machine. Personally i like the Sequentix P3.credit_agro wrote: 7. Computer or hardware sequencer? How much is a good hardware
sequencer?
18 tracks of midi or audio?credit_agro wrote: 8. Big question here. If I have for example 18 tracks
recorded for a tune and I want to sequence, would I not need
a sequencer with tons of knobs or how do you do this?
See my first answer.credit_agro wrote: And then, if I want to mix down, equalise and stuff with hardware, what do I record the tracks onto to route through a mixing desk?
Depends again on how your work-flow is. I presume your talking levels automation here. This can easily be handled in a s/w enviornment. For h/w automation youd need a digital desk.credit_agro wrote: And finally, how will I manage automation?
quite typical in german synth like access and waldorfdsat wrote:the virus is a mean machine
i love it
buy it
crappy presets though... synth manufacturers prob think we're all gonna make hard trance or prog or cheesy crap