I think that claps are one of the few things that get loads better layered. I think when static samples are used or even the sample clap setting on a drum machine, it makes the claps sound really static. I think if there is no movement in a sound then it doesn't belong there. Layering and changing velocities and timings can make two clap sounds go a very long way and sound really organic. Even the note of a hi-hat pattern colliding with your clap every bar or so can give an impression of a completely new sound. I think things like this really make simple patterns flow...eggnchips wrote:I think a good clap doesn't need layering unless your trying to achieve some experimental sound, or one you are making a stereo clap.
A good clap needs space to do its job. I always like the Oberheim DMX clap.
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Yes of course it is always good to experiment layering claps with other sounds to achieve something else, or to give another sound some weight, but in the context of trying to active a good clap sound it is best in my opinion to use a good clap.