"R+S+ - matthew dear
http://www.youtube.com/watch?v=F5fcz5mn57U
It's really hard to describe but it's basically that low end of the track I posted above is something I really love about mnml music....it's that space that it gives but it does so without being so blatantly in-your-face..
http://soundcloud.com/sei-a/portishead- ... do-re-edit
^just to get my idea cross better, this track kind of has that same idea, too especially in the drop....
but anyway I was wondering if anyone could give some pointers as to how to go about getting that kind of 'subby-sounding space', if you will as well as how you would mix that sound with the kick so they both don't fight for the same spot..
How do you give mnml tracks that subby-sounding space?
- workistorture
- mnml newbie
- Posts: 14
- Joined: Fri Dec 19, 2008 6:34 am
Reverb. It's not just about using a reverb on a send, you could for example, 'print' the wet recording to audio, loop it up seamlessly in a sampler and stick it on a buss where it's sidechained to the kick.
Then treat it as any other sound, maybe a HP filter and LP filter to get it dull but not boomy, sit it low in the mix and experiment to 'gel' it into the track.
Then treat it as any other sound, maybe a HP filter and LP filter to get it dull but not boomy, sit it low in the mix and experiment to 'gel' it into the track.
- patrick bateman
- mnml maxi
- Posts: 5432
- Joined: Mon Feb 07, 2005 10:02 am
- Location: Copenhagen Denmark
- Contact:
nopatrick bateman wrote:Noob question:Torque wrote:be careful with panning bass sounds if you plan on eventually putting it to vinyl. It'll make the needle jump out.
Is this also a problem if you play a wav/mp3 through serato/traktor? (vinyl control)
because the sound isn't actually on the vinyl.
You can pan all you want with anything digital without having to worry about that.