www.feverray.com/
http://www.myspace.com/feverray
Opportunity taken, Fever Ray works its magic. Here’s your chance to fall under its spell.Words By: Steve Yates
What would you do if, one decade into your career, you suddenly saw your latest release named album of the year by one of the world’s most influential music websites? If you’re Karin Dreijer Andersson, formerly singer with ‘90s pop hopes Honey Is Cool and now one half of The Knife, the answer is to take a couple of years off and return as a solo artist under a new name.
Fever Ray is the title, of both project and album, an evocation of the music’s sound, intense and anxious, yet luminous. It’s the culmination of work that began in 2007 when Karin and Olof, the brother-sister duo who are The Knife, decided to take time out following a handful of incredible live shows. Their first two albums did well in their Swedish homeland; their third, Silent Shout, went to Number One, won six Swedish Grammys, underlined their reputation as an act capable of the truly extraordinary and was pronounced the best record of 2006 by Pitchfork. Karin needed a break – she was about to have her second child – but couldn’t stop writing.
Small wonder the post-natal period proved so fertile. She composes best in that state any new parent will recognise, awake but exhausted, where reality blurs into imagination and ideas flutter in and out. “Half of what the songs are about is the subconscious,” she says, “ideas of things happening. A lot of it is like daydreaming, dreaming when you’re awake, but tired; a lot of stories come from that world. I try to write when I‘m in that state - I’m very bad at remembering later, so I have to do it right away.”
Eight months of the most productive daydreaming later, Karin had a batch of new songs and the raw materials for the production. Unsure how to get them over the finishing line, she took half to Christoffer Berg (who mixed The Knife’s work), half to Stockholm production duo Van Rivers & The Subliminal Kid for a final brush and tickle.
The result is Fever Ray, an album that, while recognisably the work of the same artist, is dramatically different from The Knife. It’s still constructed on electronic foundations and embellished with traditional instrumentation (guitar here, congas there), but Fever Ray is starker, moodier, in places quite sombre - less an invasion, more a slow process of colonisation. Not that you’ll find anything so literal in the lyrics.
“I prefer lyrics that are like that,” she says, “I like to keep it as minimal as possible. I like films the same way, ones with very little dialogue, such as the Finnish director Aki Kaurismäki (Leningrad Cowboys Go America), I think he’s fantastic. It’s very important to keep the magic and the feeling of something you can draw yourself. You don’t want to be too literal.”
One thing’s for sure – in a country with a wealth of leftfield pop artists, Karin Dreijer Andersson sounds like no one but herself. Constantly inventive, restlessly emotive, Fever Ray swaggers, broods, intrigues and dazzles without ever making concessions to the soap opera demands of modern media. “I think the music should be able to stand for itself without interfering, like what the artist looks like. That’s something you find out during the process, it’s a steady ongoing process about how you survive. When you work with music, you have the possibility to create magic.”
Loved The knife, loved her voice on royksopp - what else is there and discovering hers new project fever ray (:
Check the video for the new single '' when I grow Up '':
http://www.youtube.com/watch?v=4F-CpE73o2M
Great music and most of them are minimal:
http://www.youtube.com/watch?v=3GdaaPsI ... re=related
The knife have already been remixed by hearttrob...troy pierce..trentemoller etc..
Some of this is pure magic for me
