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PostPosted: Wed May 22, 2013 8:09 am 
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mnml mmbr
mnml mmbr

Joined: Thu Nov 08, 2007 1:09 pm
Posts: 222
so funny!


ahahahah

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PostPosted: Wed May 22, 2013 10:01 am 
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mnml maxi
mnml maxi

Joined: Thu Jan 26, 2012 11:15 am
Posts: 551
Methinks the problem lies in the fact that all these young guys from Romania are obviously envious of Arpiar's international success and so now they want to become pro DJ's themselves, and do it fast and as easily as possible. Since the only way to get booked these days is to be producing and releasing music, some of these kids resort to blatantly stealing other artists' work, due to lack of their own ideas and due to lack of talent and skills. The YOLO generation obviously doesn't like working their buttocks off to achieve something, and always seeks easy ways.


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PostPosted: Sun May 26, 2013 12:35 pm 
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Joined: Tue Jul 27, 2010 9:58 am
Posts: 25
the yolo generation hahaha


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PostPosted: Sat Jun 15, 2013 3:17 am 
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mnml mmbr
mnml mmbr

Joined: Fri Apr 30, 2010 11:25 am
Posts: 321
wow the phrais veteris tracks are stolen like 100 %.......this is fucked up as hell.

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PostPosted: Sat Jun 15, 2013 3:26 am 
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mnml mmbr
mnml mmbr

Joined: Fri Apr 30, 2010 11:25 am
Posts: 321
well probably all the tracks by this " new generation " are stolen...i am really pissed.

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PostPosted: Sat Aug 31, 2013 9:31 am 
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Joined: Mon Jul 15, 2013 5:49 pm
Posts: 3
look at the release dates, I mean on Phrasis Veteris tracks, the love track is released before Alex Noto's track (who steal who? )
and on drumtalk it's jus a voice made in the same way (not the same voice) like "consequential theorists" track. Listen carefully , doesn't mean if you manipulate a voice in some way, you rip someone's ass

I admit , some ar rips on the face, but not all steal even so, if you know some music and have some knowledge about it , you know who rip who and you know what to buy and support.


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PostPosted: Sun Sep 01, 2013 4:14 am 
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mnml maxi
mnml maxi

Joined: Mon May 04, 2009 10:27 am
Posts: 859
There are enough people out there who buy these shiete. Even 300 copies are sold its a success for xanadus, kakadus, herodots, funk-es, etc. The labels saved money in artworks, therefor handstamped and a marketing trick like limited to 300 copies....whoooohooo.

Last year a rework of a dimbiman track appears.

With a shity laptop and a wifi spot, you are good to go. Why waste the time for other boring things when i can that stuff for free?!


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PostPosted: Sun Sep 01, 2013 7:34 am 
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Joined: Mon Jul 15, 2013 5:49 pm
Posts: 3
here it's another problem, it's about the labels who dont know music, don't have clues what is happening arround them.


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