lol, nice artwork ; )

i think the key here is that he has his hands layed onto the 909/808 while he is recording. he is probably making very small minute tweaks to each sounds parameters. unlike many digital producers, whom create a drum pattern which is perfectly synthesized and sequenced, aka each bar of percussion sou...

workflow is key, so i don't blame him for his opinion. if i find myself getting stuck (while recording/producing) i move on. this happens with my equipment alot, if i can't solve a problem i start taking gear out of the flow until i have something simple enough that i can keep recording.

dig dug it

http://cfmlabel.com/2012/cfm036 Various Artists Release: CFM036 Running Time: 1 Hour 34 minutes 15 seconds Following the success of the first installment of CFM’s Futur[e]cho series, a plan for a sequel was soon put into motion. The rules remain the same, produce a track of dub or deep techno for l...

sick! graphite north and mnml ssgs podcasts are my absolute favorite podcast series, a nearly unlimited flow of blissful music.

my preference for techno/house is either 120-124 or 130, for some reason 125-129 doesn't keep my attention as strongly. i enjoy 140 techno, but it is usually very dark, noisey, industrial tones and distortion and such (some black dog tracks, and sgnl_fltr do this style really well). 140 is too fast ...

wow some panties in a bunch here. a simple "please post in the self-promotion section" should suffice. no need to get all huffy. if something is really bothersome, this forum has moderators who can move or delete posts which don't belong. i've actually stopped using forums over the angry a...