Nice tracks. The subtle kick is something that I like about the track. It leaves more room for the rest of the sound to bloom.

Victor - On the question of progressiveness I think much like you. I like each track to be something akin a solid state. I have a hard time putting the idea into words without sounding like I am going off into la la land. I like each track to be like a particular state of being. I like tracks to be ...

Truth in sound is the essence of minimal to me. yes and the absence of ego I hope that isn't a commentary on my post because I am only writing what I think. To be honest I don't really understand how ego relates to it but maybe thats my shortfall. I don't seek to humble myself often. I am prone to ...

I really want to expand in this issue. Minimal is ubiquitous. I could take an artist like Luomo (aka Vladislav Delay) His music often classified as "house" or whatever. I first discovered him through force tracks back in the day. For some reason something stuck me deeply. I have tendency t...

I have not read all the comments, only the first few. I just want to say that the concept/ideal of a minimalism sound bothers me. The question of posed by the originating source of the thread by is disturbing in it self. To me minimalism takes take its precedence in its lack of form and therefore it...

problem is theres not much left by the time it gets to the artist. at 2 dollars beatport takes .60 so you have 1.40 then our distributor takes about 37 cents so you have 1.12 We pay 50/50 with originals so the artist gets about 55 cents per download . alot of labels only pay 40 percent. So if the t...

I used to use fruity loops back in the day. I it has a lot of neat functions and I like how wide the programming interface is. No flipping through 16 step chunks or anything. I miss those adjustable pitches on the delays. A little thing that I like to do when working with polyrhythms is set up my &q...