Id be interested to experiment with this, i use samples so i guess i could play with the pitch envelope in simpler. Is it just the decay of the pitch i want to be playing with? Also in regards to kick distortion, iv been failing to get good results. Would it be best to have the distortion on a send...

I've been wanting to go for years. Haven't made it so far but I'm sure if i asked around enough I could find a way to get invited, hopefully see some of you next year! i'll invite you mate Nice one mate :) yeah i think you're right, I know several people who went to the most recent one and i'll be ...

ekwipt wrote:I've seen that picture, he definitely has the new DSI Tempest in there

Think he's got 2 of them

I've been wanting to go for years. Haven't made it so far but I'm sure if i asked around enough I could find a way to get invited, hopefully see some of you next year!

I think some of the replies here are a bit unconstructive - what's wrong with sorting the guy out with a few examples of well-mastered tracks? Yeah mastering's not necessarily something a beginner should be dabbling in if they're mostly focussed on making music but there's not much context here, may...

I had a quick listen and to me the kick sounds quite muddy and boomy. I'm not familiar with Drumazon but if you want it "cleaner" I'd perhaps try to add more high frequency content to give it some "click" and EQ out some of the low-mids (250-500Hz range) to tighten it up.

Last few tracks I've made have been around 15-20, give or take.

It's crazy hearing about pop productions that use 100+ tracks, I'd like to sit in on a session one day and see what they all are...

Tony Blair, fck yeah?