steevio wrote:if we could really just hear the two frequencies without the psychoacoustic effects, what would they really sound like ?

Have you tried panning the two frequencies left and right, while listening with headphones?

for instance when you play two notes together which are harmonically related, you dont just hear two notes, you also hear a lower note which is the difference between the two notes. This is caused by interference, and happens with all notes, not just harmonically related ones. If you agree with me ...

i think we're talking about something completely different here bro Are you sure? I'm pretty convinced it's the same thing . . . there's a good chance I'm just being slow also You used the example of playing two tones, and being able to hear the difference between the tones (ie. 325Hz minus 324Hz =...

if we could really just hear the two frequencies without the psychoacoustic effects, what would they really sound like ? I thought it was down to the fact that both frequencies are "sharing" your eardrum at the same time, resulting in rhythmic constructive and destructive interference. Pa...

Huh? I mix vinyl and cd's pretty much the same. The cdj's give a readout of their estimated bpm, but aside from that it's the same. I'm not doing any math when mixing. At 125bpm, 0.8% is exactly 1bpm. So you can use that to set the pitch, and also anticipate what direction you will need to nudge oc...

you can either beatmatch or you cant, it doesnt matter how far out it is. More so with vinyl than with CDs. With vinyl you have to beatmatch purely by ear. On the other hand, with CDs, you can use your ear and simple maths together. (This works well when tracks are exact Bpms, and results in less f...

I'm going to start doing tracks at 1xx.your mom bpm.

Aye, everything does seem quite vague, which is sinister, I suppose.