isaaclevy wrote:ok thanks a lot all you guys..

I would seriously start experimenting with follow actions. They allow you to program your sets to a certain extent while still allowing you to improv. and go with the moment.

or you could just use turntables. thats never failed for me. much more exciting too IMO.

if you want the voice and the voice only, I have found it far more effective to use dynamic mics as opposed to condenser mics. also, to help eliminate background noise you should use a bandpass filter to scroll through the highest cutoff frequencies with a tight bandwidth , and when a noise stands o...

follow actions

I was there, but didn't see anything that particularly excited me aside from Max for Live :shock: :shock: :shock: (sorry I'm an addict.) the new APC looks great for the price, but the demo itself really didn't impress me. it felt sort of cheap but it's potential is really pretty amazing. i just feel...

@s.k. yeah, hopefully you will me around here more. I've never spent much time posting (except back in the good ol' raver days) but i'd like to get back into it, and this seems like a proper board to do so. @Atheory if you ever want me to take a look at your patches i might be able to help you out b...

just found that twerk patch, haven't seen it in a while.

its called Camel Toe.

* i tried to post a picture but can't get the commands to work on mnml. sorry. heres the link.

http://farm2.static.flickr.com/1433/106 ... fe.jpg?v=0

just to clear things up about Max's "timing being awful", Max5 introduced the transport && timepoint objects which cleared that up. the biggest benefit of Max For Live won't be better timing, better timing came about with Max5. and on the Live being prototyped in Max debate, the cl...

everything i've always dreamed of for Live is now there... I'm blown away and the possibility to make my own max patches makes me go crazy! HELLO PHEEK-VSTS!!!!!! it was about time... and the collaborations, WOW! agreed. this is going to change everything. i wrote a piece of music for my acousmatic...