mo's taverne wrote:cub.... what ?!
nobody use this anymore. go home. lol

let me dream about maxforlive........this is future.

dude, people were making amazing techno (with and without MAX) way before Live even existed. technology doesn't define music...

give me cubase over ableton any day as a production tool

i usually use drumazon or my jomox mbase for the low and and use a sample to give the kick a little more character... just use a high or bandpass filter to get the sound right on the layering. i send those to a group channel and compress them (outboard) and then eq... note: the outboard compression ...

i wouldn't compress the attack of a snare, it's better to let that initial transient through so you can then bring the decay up to the same level as the attack and get the whole sound evened out... just my opinion. i also usually find that the snare works better a few ticks after the kick, not befor...

Columbia College in chicago is worth looking into, although it's a 4 year program and expensive... I currently attend for my BA in Arts Management (graduating in June!) but take a fair amount of context classes in midi and audio production. the music facilities are pretty tops and they get updated v...

Help I must have something set up wrong or I don't know exactly what I'm doing. I recorded some material from external gear into ableton. It was at 90bpm, Warped at 90bpm. Recorded at 44.1khz 16-bit sample rate. When I try to export as wav, it plays back in FOOBAR and Windows Media Player at a much...

ive always liked those behringers for djing on... they have an 8 3/4" woofer so the bass is pretty loud and you can adjust them for the room.

obviously they arent the best for producing but i had a pair that held up for years of dj abuse. i paid like $300 american

echo audiofire

probably need to re-record it for the best results

if a gate or eq isnt working, that's your only option unless you try spending hours finding the exact frequencies and getting surgical with an eq