Saw them late 90's. One of the best electronic live shows I've seen. They had a table full of hardware that they controlled beautifully (a lost art in today's ableton world )

easily one of my favorite artists, never heard a track I didn't like by him! great compositions and original sounding too. how come so few people know him???

I don't know the technical details but I believe, from what I've read, that the OSC "clop" is basically a design bug in the audio processing chain that rears it's tiny head when the oscillators change pitch. But people, don't shy away from these DSI beasts, just because of one little technical wart....

I have just received my mopho and must admit and not very satisfied with it! Does anyone get a clicking noise on some presets when you press a key or the Push It button? I think it may be defected as some of the presets dont work also! Also is there a way to edit the pots so you dont have to turn t...

KLF: White Room and The Orb: Adventures Beyond the Ultraworld pretty well sent me off into the great techno journey. Before that, I guess Kraftwerk's Trans Europe Express planted the initial seed. I used to stare at the patterns on the tracks on vinyl and think how no other LP I owned had such cool ...

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100% agree with cytoplasm: Total control? As in knowing every detail and nuance of the track when you start working on it? That's horrible. That's like having a sculptor know exactly what the finished piece will look like. The best tracks are basically Aural Sculptures (thanks Stranglers!) and they ...

If you think of it as $150 audio/mixing "host" for Reason with the best in class timestretching, it's not too bad a deal.