Wrong forum.

Take a sine wave, maybe sampled from an analogue synth (I use Trilogy for this) ->good dose of saturation and/or overdrive ->24 db LP filter right down at between 100 and 150 hz ->heavy compression (6-9dB gain reduction) ->optional sidechain limiter linked to your kick, if using a longer release on ...

manzatour wrote:i was suffering because of the lack of time for my second hobby (fishing), now you saved my life!
thank you!
if the samples are relly good i plan to start with minigolf!

No, thank YOU.

Martian Telecom wrote:. You have to give the speaker an opportunity to rest so that it can push air.

Drum and bass producers would argue otherwise!

Try your kick fundamental at 50 hz, and the fundamental of your bassline root note at 100 hz.They will lock as they are musically related by an integer.

i think people (me, anyway) get negative about this sort of thing because it supports larger problems with the industry for producers and djs. listened to a few tracks in the members section recently and i just thought they were more like an efficent arrangment of loops than anything musical. Yeah,...

Its not like I'm hoping all the contributions will sound like hawtin or vilolobos though some would be good :D Well that just highlights what I'm saying. Villallobos' productions sound like Villalobos because of his own idiosyncratic approach towards creating sounds. These define him and are probab...

No need to get dramatic, there is a huge market for samples and sample packs, and the fact yours are originals on a sharing basis is to my mind vastly superior to most of what's out there. Its just that this forum is mainly full of some very talented and fiercely independent producers - rather than ...

It only matters because attaching your service to a genre might alienate two kinds of potential contributor. One, the guy who hates pigeonholing music at all (your expert producer, probably) and two, the guy who reads the overly-reactionary music press proclaiming "minimal is dead", and it...