Don't think anyone's mentioned playing with the duration of your hits. I think this can be as important as timing in trying to get a groove going.

Don't think there's any formula or method for making a track groove. It's a magical combination of sounds, rhythms and timing that you get at by experimenting. De-quantising is definitely important. The one thing that improved my drum programming 1000% is stopping using step sequencers with swing a...

Don't think there's any formula or method for making a track groove. It's a magical combination of sounds, rhythms and timing that you get at by experimenting. De-quantising is definitely important. The one thing that improved my drum programming 1000% is stopping using step sequencers with swing an...

Forum threads asking stupid questions like "how do you pitch those vocals down so low?" are the best resources for learning about sound design.

That article is a joke.

I've tried editing it 3 times now and each time some clown restores the original.:evil:

Someone else have a go please; I think they'll ban me if I try again.

Fucking hell. "Welcome to Wikipedia. Although everyone is welcome to make constructive contributions to Wikipedia, at least one of your recent edits, such as the one you made to Minimal techno, did not appear to be constructive and has been automatically reverted by ClueBot. Please use the sand...

Just saw this on another board this morning. Excellent vid; don't think anyone's posted it here before.

Hear what he has to say about two and half minutes in even if you don't watch the whole thing.

Rob Acid talks about mastering

You sure you've got your terminology correct mate? Not sure what you mean by 'face', never heard the word used as an attribute of sound before. Can you elaborate? As for 'width' and 'room' are you talking about stereo width and reverb...? It sounds to me like you've got your hands on some heavily ef...