Miss Kittin...

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Renze
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Miss Kittin...

Post by Renze »

Statement from Celtronic: (the promoters)

We would rather be sitting at this stage reminiscing about a great night but
instead we feel compelled to set the record straight about the actions of Miss
Kittin at our event on Friday night past. After years of negotiations, we
finally secured a date for Miss Kittin to play at our clubnight. It was a night
we were really looking forward to enjoying ourselves but due to the actions of
Miss Kittin, we found this impossible. In all our time of promoting parties, we
feel we have never been treated so badly by a visiting artist.

The venue we had chosen to put Miss Kittin on was The Nerve Centre where we have
put on a variety of DJ’s and live acts including Laurent Garnier, Dave Clarke,
X-Press 2, Mylo, 2020 Soundsystem, Jon Carter, Layo & Bushwacka, Justin
Robertson, Slam, Paul Daley, Tom Middleton, Erol Alkan, Andrew Weatherall, Lee
Burridge, Mr C, David Holmes, DJ Format & MC Abdominal, Radioactive Man,
Fingathing, Silicone Soul, Umek, Craig Richards, James Zabiela, Billy Nasty,
Jazzanova, James Lavelle, Scratch Perverts, DJ Craze, The Psychonauts, Si Begg.
The Nerve Centre has also hosted some of the biggest names in rock music
including The Thrills, The Undertones, Ian Brown, The Zutons, Embrace, Gomez,
David Gray, Sinead O’Connor, The Doves.

Miss Kittin was picked up at Belfast Airport by taxi which transported her to
The Tower Hotel in Derry where we had booked her the most expensive suite as
well as an additional room for her manager. On meeting Miss Kittin and her
manager outside the hotel and welcoming them to our city, we were greeted by
Miss Kittin with ‘It’s fucking freezing’ - no hello, nothing.

On returning to the hotel to bring Miss Kittin and her manager to the club, we
advised Miss Kittin that the club was next door to the hotel so we would walk to
the club. After walking no more than 15 metres, Miss Kittin stopped dead in her
tracks and said ‘This is next door… where is the fucking club?’ We told Miss
Kittin that the club was just another 30 metres away round the corner.

We then took Miss Kittin to the boardroom of The Nerve Centre where we had a
large range of drinks, fruit and various snacks prepared for her. Initially
refusing a drink, Caroline then said ‘How am I meant to enjoy myself tonight.
It took me six fucking hours to get here and I’m fucking freezing. I could have
been in New York’. Prior to booking her extremely expensive flights, we had
suggested several alternative travel options to Miss Kittin that would have got
her to Derry quicker. We also warned her of the regular delays that take place
at Heathrow on Friday evenings. However there was no flexibility with Miss
Kittin regarding flights.

Miss Kittin eventually decided to have a bottle of water but complained that she
did not want the water if it was too cold as she was already ‘fucking freezing’.
We then brought Miss Kittin upstairs to the venue to commence her set. We pride
ourselves on providing everything artists ask for. The setup on stage was
perfect, as was asked for in the contract. Both our resident DJ’s tried to
introduce themselves to Miss Kittin but were greeted with a hateful ‘I don’t
understand you’. After starting her set, we are informed by her manager that
there was a problem. Basically, the problem was that Caroline was used to
playing in bigger venues in front of larger crowds. At this stage the venue was
only open an hour and there were nearly 300 people in the venue and there were
people still coming in to the club.

We are then informed that Miss Kittin will play for 1 hour only and that we
should have one of our DJ’s ready to take over. Informed by her manager that
there was no way of changing her mind, one of our residents took over from Miss
Kittin after she had played 75 minutes. At the end of the night, when paying her
fee to her manager, we asked what should we say to the clubbers who had came to
the club to hear Miss Kittin. He informed us that we should lie, ‘tell the
people she was sick or something as she has fans and she would not want to
disappoint her fans.’

These are the fans that she refused to acknowledge all night and basically
refused to play for. We have always found that truth is the best policy and we
are not going to change now and we don’t believe feigning illness for Miss
Kittin to keep her reputation intact as a good enough reason to change this
policy. Within the genres of music we promote, we find that the majority of
people that we invite to play are likeminded people, sociable and polite but
more importantly professional. In almost eight years of putting on parties, Miss
Kittin is the outstanding exception to this rule.

We have been lucky enough to host some of the world’s top DJ’s and producers
over the years who always retain a sense of honesty and humility. Derry may not
be as cosmopolitan as New York, Paris or Milan but you will be hard pushed to
find a more receptive or passionate crowd. Most visiting DJ’s comment on the
great reaction and warmth of the people. There is no excuse or valid reason for
Miss Kittin’s actions on Friday night. She was getting paid a lot of money to
play records for a couple of hours. All we wanted was for her to do her job.
Last edited by Renze on Thu Sep 29, 2005 6:01 pm, edited 1 time in total.
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Harm Rhebergen
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Post by Harm Rhebergen »

Too bad we don't get to hear her side of the story and I think the topic title is also a little misplaced since you don't know the real facts but only the promotors story..
*I support southern fruits*
Renze
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Post by Renze »

Harm Rhebergen wrote:Too bad we don't get to hear her side of the story and I think the topic title is also a little misplaced since you don't know the real facts but only the promotors story..
That's true...I should've chosen a better title :oops:

Edit: maybe the title should be changed to "Never book Miss Kittin unless you have a well-heated venue that can hold more than 500 visitors" :lol:
Last edited by Renze on Thu Sep 29, 2005 5:59 pm, edited 1 time in total.
Dopplereffekt
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Post by Dopplereffekt »

Maybe she just had a bad day like women often tend to have...

This story is too one-sided :?
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Harm Rhebergen
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Post by Harm Rhebergen »

Renze wrote:
Harm Rhebergen wrote:Too bad we don't get to hear her side of the story and I think the topic title is also a little misplaced since you don't know the real facts but only the promotors story..
That's true...I should've chosen a better title :oops:

Edit: maybe the title should be changed to "Never book Miss Kittin unless you have a well-heated venue that can hold more than 500 visitors" :lol:
You can still change it.. I won't tell anyone.. :wink:
*I support southern fruits*
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audiophile
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Post by audiophile »

Dopplereffekt wrote:Maybe she just had a bad day like women often tend to have...
get ready to take some heat for that one... :lol:
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isa
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Post by isa »

if something like that happened to me as a promoter i wouldn't pay her, or i would pay her for the hours played. of course there's a contract but if she's not making her part you shouldn't make yours haha :P
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Post by Jesse Somfay »

The thing is, contracts are legally binding documents, so payments have to be made once it is signed. But you've got a point. If the artist also breaks the contract, that makes them responsible. In this case it sounds like it was the artist's breach of contract. When an artist is payed up front with a contract, they are expected to do what they signed up for. I would probably side with the promoters on this one, although I don't know Miss Kittin's story. As an artist, I know that I am getting payed to do my job, and I choose to do it well each time and do what I have signed up for. There is no other way. Both sides must treat each other fairly and in this case the promoters seem to have been treated unfairly. They didn't recieve what Miss Kittin signed up to do and that will probably effect her reputation. I do agree though, the truth should be known. If an artist does not do his or her part, then their reputation should be at large unless they can prove otherwise that they are a good business person. If artists act immaturely they will not be booked as much as they would like to be.
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