I've noticed that tracks by Vid, Mihai Popescu (MP), QILI, tend to go against
the usual song structure of 16-32 bars. It doesn't necessarily take away from
the listening experience, but it can mess up the flow when I'm djing.
I'm just wondering why? Is it because they produce them with
the intention of listening first, djing second? Or don't they know better (which
I highly doubt)?
Some examples:
Very odd phrasing in tracks by Eastern-European producers
Re: Very odd phrasing in tracks by Eastern-European producer
I don't see the problem when deejaying and the songs got more difficult structures. it can be nice when you play around with those different flows
I also can't tell you if they wanna do it like this. I think they do not think about deejaying at all and just arrange their songs like they think it fits.
I also can't tell you if they wanna do it like this. I think they do not think about deejaying at all and just arrange their songs like they think it fits.
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Re: Very odd phrasing in tracks by Eastern-European producer
Change the way you DJ.deyl wrote: but it can mess up the flow when I'm djing.
Re: Very odd phrasing in tracks by Eastern-European producer
i agree. these posted tracks are all 4/4 rhythmics, thus your flow shouldn't fade away, except if i missed something in that tracksWhosThatGirl wrote:Change the way you DJ.deyl wrote: but it can mess up the flow when I'm djing.
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Re: Very odd phrasing in tracks by Eastern-European producer
Keep your food tapping on the 4 and own it. Ha